Wednesday, April 2, 2008
By Matt Singer
In honor of the start of the 2008 baseball season, IFC.com
will be paying tribute to the national pastime's long relationship with the
movies every day this week by giving you everything you'd ever want to know
about the odd little quasi-autobiographical ditties in which baseball players
have played themselves. Peanuts and crackerjacks not included.
Rawhide (1938)
Directed by Ray Taylor
As Himself: Lou Gehrig
Game Story: Celebrated ballplayer Lou Gehrig announces he's through with the
game and is moving out west to live on his sister's farm and become a cowboy.
"I'm gonna wallow in peace and quiet for the rest of my life!" Gehrig vows to
the incredulous reporters who come to Grand Central Station to see him off. But
when he arrives at the family homestead, he discovers some hoodlums have turned
the local ranchers' association into a protection racket. Gehrig teams with a
local singing lawyer/cowboy/pugilist (Smith Ballew) to clean up the town. Yes,
that's right — the Lou Gehrig Western is a musical, too.
On-Field Achievements: Until he was diagnosed with the crippling disease that
now bears his name, Gehrig played in 2,130 consecutive games, a record that
stood for more than half a century until Cal Ripken Jr. broke it in 1995. But
the Iron Horse was more than some guy who just played every day — he still holds
the records for the most runs scored and driven in by a first baseman, as well
as the record for the most career grand slams by any position player — 23.
On-Screen Achievements: As you'd expect, Gehrig smashes the evil syndicate and
does it in style. In one major fight scene set in a saloon, Gehrig, who performs
a healthy portion of his own stunts, takes out the bad guys by hurling pool
balls at their heads. Later, when a bunch of goons keep him from seeing his
sister, who's about to be coerced into signing a contract to join the syndicate,
he gets her attention by finding a bunch of local kids, commandeering their bat
and ball and busting the villain's window with a well-placed liner.
Errors Committed: If only this movie were true, and if Gehrig, who passed away
in 1941 at the age of 37, had been able to live out his retirement sitting on
his sister's porch in a rocking chair. In reality, his decline was brutally
swift; When "Rawhide" was filmed in the winter before the 1938 season, he had no
physical symptoms of amyotrophic lateral sclerosis. Within months of opening
day, Gehrig's illness had already begun to significantly affect his performance.
For a player who prided himself on consistency, it was a devastating blow.
Gehrig retired a little over a year later.
Discoveries: The final title card reads "The characters and events depicted in
this photoplay are purely fictional. Any similarity to persons living or dead is
purely coincidental." So, apparently, Lou Gehrig was an invention of
screenwriters Daniel Jarrett and Jack Natteford working in concert with a cabal
of journalists and members of the New York Yankees organization.
Substitutions: Gehrig spent most of his career in the shadow of Babe Ruth, but
in the cinematic arena, he's got the Babe beat. Ruth has had more features
devoted to retelling his life story, but the one about Gehrig, 1942's "The Pride
of the Yankees" with Gary Cooper in the lead, remains more popular than all of
them put together and routinely appears on lists of the greatest sports movies
of all time. (Moviefone.com recently ranked it #13 in just such an article.)
Final Score: Gehrig may well be the greatest acting baseball player to play
himself in history. The film takes him well out of his element — allegedly,
Gehrig never rode a horse before commencing filming on "Rawhide," yet onscreen,
old Biscuit Pants is a charismatic and charming presence and even a gifted
physical comedian. In one scene, he draws laughs with the exaggeratedly confused
way he rides his horse ("Awfully... rough... road!" he groans to his traveling
partner). Throughout history, baseball players have routinely been treated like
movie stars and they've often looked like movie stars. But when actually got in
front of the camera, they rarely acted like movie stars. Gehrig comes the
closest.
"Sports do not build character. They reveal it. "Heywood Broun
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